Fri. Mar 6th, 2026

Best Specs, But at What Cost?

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Testing the new Xiaomi 17 Ultra over the last week has been a bit of an emotional rollercoaster. On one hand, you’re holding what is arguably the most sophisticated piece of mobile imaging hardware ever conceived. On the other, you’re occasionally shouting at a notification shade that refuses to behave. It is a device of immense highs and some truly head-scratching lows.

If you’ve followed the “Ultra” trajectory, you know the drill. Xiaomi throws everything—including the kitchen sink and a Leica-tuned lens—into a chassis and hopes it sticks. This year, the formula feels more refined in the hand, but the soul of the machine, the software, feels like it’s still stuck in a previous era of mobile design.

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A Design That Finally Greets the Mainstream

I’ll be honest: I wasn’t a huge fan of the Xiaomi 15 Ultra’s “I’m a vintage camera” aesthetic. It felt a bit try-hard. The 17 Ultra, however, pivots toward a much sleeker, more balanced language. The flat aluminum frame and the symmetrical glass panels give it a gravity that feels expensive. It reminds me of the Oppo Find X8 Ultra, which isn’t a bad thing at all.
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What I actually love—and this sounds trivial until you use it—are the volume buttons. They are round, etched with little plus and minus signs, and feel incredibly tactile. It’s a small nod to the iPhone 4 days, and perhaps I’m being nostalgic, but finding them in a dark pocket is so much easier than fumbling with a standard rocker.

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The device is heavy, hovering around 224 grams, but it doesn’t feel like it’s going to tip out of your hand. Xiaomi managed to balance the internal components well enough that the massive camera island doesn’t make the top feel like a lead weight.

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That Display: Brightness That Bites

The 6.9-inch OLED panel is, in a word, piercing. With a peak brightness of 3,500 nits, I found myself squinting less in the harsh midday sun and more because the white backgrounds in my office were actually too bright.

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However, there’s a catch. Out of the box, the color calibration feels a bit “cold.” Whites have a distinct blue tint that I had to immediately dive into the settings to fix. It’s an easy tweak, but at this price point, you kind of expect the engineers to have nailed the white balance before shipping it out. I also found myself missing the anti-reflective coating found on the S26 Ultra; the glare on the 17 Ultra is definitely more noticeable when you’re outdoors.

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The Vario Camera: A Double-Edged Sword

The headline feature is the 200 MP periscope camera with a variable 75-100 mm focal range. In theory, this replaces the need for two separate zoom lenses. In practice? It’s complicated.